‘Eekamba adishe nadi ufanwe, Eendingosho adishe na di ongelwe u pule kwali Nashima’: Nanghili Nashima, The performer and feminist intellectual

This article studies Nanghili Nashima’s Oudano practices and public life. We discuss how her autobiographical performance during apartheid independent Namibia constitute feminism. The study mainly focused on the sound video recordings currently archived at Namibian Broadcasting Corporation's Music Library YouTube. work offers critical engagement themes of migration, sexuality labour, challenging colonial, Christian, patriarchal heteronormative norms, systems in Ovawambo African societies large. unpack mobile life as defiant subversive, therefore, speaking truth to multiple forms power. By listening collectively closely work, argues that Nashima emerged a trans-local figure who relied transgression through praxis embody agency radical imagination freedom. It is this basis intellectual tradition situated what Pumla Gqola has theorised feminist imagination.